The Problem
Where a baseboard run ends at a door casing, the casing is often thinner than the baseboard. Cut the baseboard square and the end grain faces into the room with the moulded profile — the ogee, bevel, or bullnose along its top edge — sliced through and exposed. Painted, that end grain absorbs more than the faces do and dries to a different sheen, so the cut stays visible after two coats.
The same thing happens where baseboard dies into a cased opening, a hearth, or a stair skirt.
The Technique
A return closes the profile by carrying it around the end of the board and back to the wall.
- Cut the end of the baseboard at 45 degrees, with the miter opening toward the wall — the same cut you'd make for an outside corner.
- Cut a matching 45 on a piece of offcut from the same stock, then cut it off square a few millimetres behind the point. You want a small triangular wedge whose mitered face mirrors the one on the board, and whose profile matches because it came from the same length.
- Dry-fit the wedge against the board. The two mitered faces should close with no gap and the profile should run continuously around the corner.
- Glue the wedge on. Don't nail it — it's too small and it will split.
- Hold it with a piece of painter's tape stretched across the joint until the glue sets.
The board now ends in its own profile, with no end grain showing.
Pro tip: Cut the return from the offcut of the same board rather than from fresh stock. Mouldings vary slightly between lengths and even along a length, and a return that came off the same piece is the only one guaranteed to line up exactly.
Safety note: The return piece is small enough that your fingers would be near the blade if you cut it freehand. Cut the miter on a longer offcut first and trim the wedge free at the end of the cut, or use a hand saw and a miter box for that last cut.